既为君故,两相安好29(1 / 2)

醉妃舞 夕落林 1123 字 2022-04-20

可若她找不到其他毛病而当众直言那琴太过劣质,要求换琴,那无疑是在打皇后的脸。所以后来她还是打算将就着弹弹,要是出丑了也就算了。反正她的身份摆在那儿,旁人要议论也会掂量着来!

而欧阳越听夏婉儿提出要宁珏奏琴后,目光就一直追随着宁珏。见她并未有为难的神色,欧阳越的内心还升起了不小的期待。

原本见宁珏不报名参加展示,便猜测要么是没准备,要么就是她常年在山中并未精通某项才艺,如今却是来了个意外之喜。

欧阳越知道,若是宁珏说的能拿得出手,那就定然不会是差的了,只等好好欣赏便是。

不想,欧阳越却突然察觉到了宁珏脸色中透出的不妥,联系了宁珏刚才试音的动作,欧阳越才果断命花魂去取鹤鸣。

如今见宁珏对鹤鸣满意,向自己致谢,欧阳越便也回应了个鼓励的表情,在自己的席位上端坐好等待琴音。

终于,宁珏神色微凝,缓缓起手,庄重地触碰琴弦。

平稳舒缓的琴声传出,时不时带有小的音节起伏跳动,躁动的众人随之安定下来,开始静心聆听宁珏的演奏。

待全场仅闻琴音时,宁珏陡然一转,以泛音的技巧弹奏。左手按弦,右手快且轻地触弦,琴声节奏活泼,富有动感。像是在描绘一幅花图,图中有的含苞待放,有的迎风而舞,如在眼前。

一段奏毕,宁珏改为双手同时弹奏,仍是方才那段曲调。右手担任主旋律,出音浑实有力但不躁不呆,左手则在高音区伴奏。

画面仿佛也随之变化,仿佛听者在静静地远望满山梅树飞花落雪,静谧而遥远。琴音动静相谐,细腻传神。

在左手进行弦位转换时,宁珏以腕、臂各部位的带动、缓冲等作用于琴弦,处理之间,游刃有余。

观赏至此处,在场不少习琴之人就已经开始发自内心地暗暗赞叹宁珏琴艺精湛了。旁人不了解,他们可是知道弦位转换时,左手要真正做到避免影响右手旋律之连贯和音色的美感有多难,只有天赋加上无数次的练习才可能做到。

而他们眼神的转变也影响了身边的人,更多的人对宁珏关注的目光开始不仅出于对宁珏的身份,还出于对她的技艺的欣赏。

宁珏不知道场边人的变化,当她开始弹奏时,她就已经完全沉浸在其中了。因为,这是一次与鹤鸣的对话,全身心地投入是对这一传世名琴的尊重。

这一段旋律也告一段落,宁珏再次转换,右手在中音区弹奏主旋律,左手改为于低音区伴奏,又一次重复刚刚的曲调。

音调刚柔相济,苍劲轻巧并存。与前两段旋律相比,节奏稍快,更增一份活泼、动感,平添一份乐观、积极向上的情绪。

似乎仍是在描绘着画面,但同时也歌颂着什么精神——不屈、傲然......

在场认真聆听的人都已经完全被宁珏带入了琴声中,他们的情绪随着宁珏的弹奏而变化。仿佛唤醒了他们内心的本能,与琴音发生了共鸣。等回过神来,他们已经莫名地被感动了。

宁珏仍在弹奏,段落已重复完,琴曲也进入了尾声。与开头相呼应,归于平缓,闲适。最终仍以泛音结束,带有空灵飘逸之感。

全曲结束,宁珏收回双手。

<--di--!>
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